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Showing posts with label A Very Long Engagement. Show all posts
Showing posts with label A Very Long Engagement. Show all posts

Thursday, April 1, 2010

Jean-Pierre Jeunet & Steampunk


The french director Jean-Pierre Jeunet is one of my favorite directors. His filmography includes Amelie, A Very Long Engagement, The City of Lost Children, Delicatessen and his newest film, Micmacs. I love Jeunets films because they are so unique. You could see one of his films and automatically know that he directed it because his visual and storytelling style is consistent even when the genre differs. Some things to watch out for in all of his films (you can see it in the trailers too) are the tinting and emphasis on green and red colors, and the frequent camera movements which keep both the plot and viewers moving the films.

A few weeks ago one of my friends told me about steampunk which is the genre that Jeunet incorporates into his film. However, I have never read him talking about the genre or having anything to do with it so I couldn't say for sure whether that is what he has in mind. According to wikipedia, steampunk...

denotes works set in an era or world where steam power is still widely used — usually the 19th century, and often Victorian era England — but with prominent elements of either science fiction or fantasy, such as fictional technological inventions like those found in the works of H. G. Wells and Jules Verne, or real technological developments like the computer occurring at an earlier date

I would definitely recommend all of his films. They are strange, quirky, bizarre and beautiful and I guarantee you are going to see a type of film you have never seen before.

Here are some images of things that would fall into the steampunk genre:


Take a look at some of his trailers to get a sense of Jeunets style:

Micmacs:



Amelie (nominated for 5 oscars):




A Very Long Engagement (Based on a book that I would definitely reccommend reading):



Jeunet also filmed a promotional film for Chanel fragrance using Audrey Tautou who has had the lead in both Amelie and A Very Long Engagement:

Sunday, October 11, 2009

Stream of Consciousness

Okay, so try to stay with me on this but I was looking up some things on youtube and I realized how much I try and relate things with one another. I was searching for 16mm short films to see what other people have done with the medium since that is what we have to shoot with for my cinema production class. I came across this video:

(1min 54sec)

^I'm not sure how I feel about this film actually because the shots are all of contemporary things such as big billboards, cars, highways, helicopters, and amusement parks. I feel a little bit as if with this medium we should be preserving something and mixing that old time feel of the film with new shiny things and technology doesn't feel right. Anyway, the piano music in the film was from Amelie which was a french film made a couple years ago with Audrey Tautou. So I decided to youtube some scenes from Amelie and I came across this one:

(40sec)

^This is one of my favorite movies and the director Jean-Pierre Jeunet is one of my favorite directors of all time. He hasn't made that many films but they are ALL worth watching. His earlier movies, Delicatessen and The City of Lost Children are a bit more obscure in terms of the narrative than his more recent films like Amelie and A Very Long Engagement but they are all visually stunning. Jeunet has a very distinct style and all of his films have that strange greenish tint that favor the reds and the greens and he uses a lot of camera motion. This scene with the moving camera of the train station reminded me of another short film that Jeunet recently made for Chanel as an advertising campaign for their fragrance. Here is the short he made:

(2min 22sec)

^Jeunet uses similar shots of the train stations and his style becomes very fluid. Its fun to see how he uses his consistent style to tell different stories. I think this short film for Chanel is kitschy and cheesy but it is interesting to see how much control Chanel gave Jeunet with the film because it is shot 100% in his style. The film took a couple months to shoot and had an incredibly huge budget for the final product of a little over a 2 minute film. I wonder what he could have produced with that budget if he was making a film for himself rather than for a company.

A couple stills I liked:


A Very Long Engagement

CHANEL N°5


Listening to: Georgia on My Mind by Ray Charles

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